Before the Mayflower-A History of the Negro in America, 1619-1962 by Lerone Bennett, Jr.

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Reviews from Goodreads.com

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This a great introduction, if not then the best introduction, to African American History. If you are wanting to know more about the story of African Americans this book is very readable and accurate. When I taught our school African American History class this was my text. My students liked it so much most of them went out and bought their own copies.

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Mr. Bennett gives voice to Black Americans, and to the cultures they brought with them. Through impeccable research, he has uncovered history and culture that was not readily available those many years ago. This book was published and available at almost the same time I finished my degree. I found it later when I had the luxury of being able to read what I wanted, rather than that which was assigned, and have used it to some degree in home schooling my son (though it is too difficult for most high school students). Highly readable and enormously enlightening.

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This was an amazing piece of work. I knew that people of color in this country had it rough but this truly shows just how bad. Even with all of the hardships people of color tried again and again to be the best that society would not let them. I was inspired by this book to continue to strive for progress and thus success. The stories of my ancestors have shown me that I come from a strong stock that can survived the worst of times so that I may have the best of times.

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From the inside flap of the print edition of 1962:

This is a history of the American Negro, whose ancestors arrived at Jamestown a year before the arrival of the “Mayflower.”

The book begins in Africa with the great empires of the Nile Valley and the western Sudan and ends with the Second Reconstruction, which Martin Luther King Jr. and the Sit-in Genera­tion are fashioning in the North and South. Written in a dramatic, readable style, Before The Mayflower throws a great deal of light on today’s headlines. As such, it will be a valuable addition to the library of every discerning American.

Grounded on the work of scholars and specialists, the book is designed for the non-specialist. Based on the trials and triumphs of Negro Americans, the book tells a story which is relevant to all men.

Here are the Negro Minute Men of Lexington and Concord and the black soldiers who stood with Andrew Jackson at New Orleans and Ulysses S. Grant at Petersburg.

Here also are the forgotten figures of American history: Phillis Wheatley, the slave poet who became the second American woman to write a book; Nat Turner, the mystic who led a bloody slave revolt; P. B. S. Pinchback, the Negro who sat in the Louisiana governor’s mansion and dreamed of the vice presidency.

 

 

Book Cover with image of John Brown

The Legend of John Brown: A Biography and a History by Richard Owen Boyer

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From The New York Times:
“Boyer’s book is more than a life of John Brown. It is a tapestry of the whole of American life in the generation that slid into civil war. It is a rich weave. Here is old John Quincy Adams, in his seventies, cured of his psychosomatic carbuncles by the sheer exhilaration of the struggle against the slaveowners in Congress. Here is the pro-slavery mob at Alton on the Mississippi, weeping at the sheer eloquence of the abolitionist editor, Elijah Lovejoy, but shooting him down just the same. Here is the slave rebel, Nat Turner, taunted by a Tidewater planter about his approaching execution, and answering, as John Brown himself would have answered, “Was not Christ crucified?”

More from the New York Times:
The Legend of John Brown
by Godfrey Hodgson
January 21, 1973
The accepted view of historians has dismissed Brown as a violent and unstable fanatic, thrust into symbolic prominence by the accident of approaching civil war. Richard Boyer, who has been a New Yorker writer and co-author of Labor’s Untold Story (1955), has foraged in the sources as diligently as any professional historian. But the great merit of this first volume of his biography is that it restores Brown as what he was: an archetypal hero of the epic of 19th-century America, which was both pilgrimage and enterprise….
Boyer’s first volume leaves Brown, four years from Harper’s Ferry, arriving in Kansas resolved “not to die alone.” He did not. He took with half million Union and Confederate dead, and the “accursed thing,” slavery, as well. It is one of the great stories…I look forward to its climax in his second volume.

 

The Washington Post:
“In Boyer’s words, written with a brilliant blend of passion and objectivity, a vanished America comes alive again, the passions of the day boil anew, and we are made to understand how it was that a failed tanner, sheep raiser and wool dealer named John Brown became a man possessed.”

More from the Washington Post:
His Truth Goes Marching On
By Jonathan Yardley
January 28, 1973

HERE IS A book of surprising breadth, insight, compassion and historical vision—the first of what is to be a two-volume study of John Brown and his times. It recreates the whole fabric of our period of greatest national crisis, and it persuasively argues that the much maligned and misunderstood John Brown was the “central figure” of his age—the man who is “transformed and shaped by the experiences of his generation and in turn transforms it.”
That is a considerable assertion, and Richard O. Boyer has written a considerable book to investigate it. The Legend of John Brown is not merely the story of the first 55 years of its subject’s life—though merely as that it is excellent—but a panoramic view of the nation as it plunged toward civil war, and a series of incisive sketches of men and women on both sides of the conflict who at one time or another touched the life of John Brown.

Up to now, Boyer contends, Brown’s biographers have found it “enough to tell of Kansas and Harper’s Ferry.” Boyer’s purpose is to locate the “genesis” of those traumatic events, the tangled process by which Brown resolved the conflict between his business ambitions and his opposition to slavery, and be- came the fiery-eyed zealot who lives now in American legend.

John Brown—the very name was made for legend—has usually been portrayed in stark, absolute terms: he is seen either as a devil, a psychotic whose mad vision led himself, his sons and other men to death in the bizarre folly of Harper’s Ferry; or as a saint, an angel of God whose divinely ordained mission touched the conscience of the nation. Boyer sees him differently: as a human being. In Boyer’s masterly portrait, Brown emerges as a troubled, indecisive man who was at last touched by the greatest moral issue in our history.

As we see him through Boyer’s eyes, he is in many respects an archetypal American, a man of the land:
“This land, to the discerning, accounts for much of John Brown, his urge for wealth, his hymn-singing, and his praying, his homely understated attitude with its echoes of defiance and boasting, his restlessness, the covered wagon that he knew, the posture which combined distinction with rusticity and both with an everlasting search for something perhaps finally found. But so complete was his identification with the large and violent land, so thoroughly was he its product, that the Ohio farmer who was John Brown found no difficulty in communicating with Parker or Higginson, Emerson, Thoreau, or the black man fighting slavery, all of whom were as American and perhaps as permanent, while there is an American consciousness, as the land itself.”

….We encounter other men—Theodore Parker, Thomas Wentworth Higginson, Frederick Douglass, among the abolitionists; William Walker, Henry Wise, Edmund Ruffin, among the Southerners—who were likewise seized and transformed by the historical moment, and the story of their metamorphosis makes Brown’s more understandable. We encounter, too, the great events that built inexorably toward the shuddering climax of national cataclysm: the Kansas-Nebraska Act, the Underground Railroad, the harsh debates on the floors of Congress, the murderous violence that accompanied the settlement of Kansas. In Boyer’s words, written with a brilliant blend of passion and objectivity, a vanished America comes alive again, the passions of the day boil anew, and we are made to understand how it was that a failed tanner, sheep raiser and wool dealer named John Brown became a man possessed.

Legend, Boyer reminds us as the book begins, is “often defined as the popular if unverifiable story of a hero coming down from the past.” In this book, however, we are given legend as it was envisioned by John Jay Chapman, the estimable 19th-century journalist who wrote with much feeling and perception about John Brown’s life. Brown’s life, Chapman said, is an example of “an immortal legend—perhaps the only one in our history.”
Richard O. Boyer has taken Chapman’s words and built an extraordinary book around them, one that affirms and enlarges them…

 

Cover showing Bolivar standing in formal uniform

He Wouldn’t Be King: The Story of Simon Bolivar by Nina Brown Baker

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Reviews:
“A finely proportioned narrative.” The New York Times

“Worth its weight in gold. A warm dramatic story of a man whose career was one of the most astonishing and colorful the world has known.” Parents Magazine

SIMÓN BOLÍVAR, hailed as Liberator by the people of South America, occupies the same place in their affections that George Washington does in ours. An aristocrat and a wealthy man like Washington, he risked position, wealth, and life itself to free South America from the unhappy rule of Spain. Like Lincoln in his love for the common man, he brought about the abolition of slavery a generation before that institution was ended here.

HE WOULDN’T BE KING is the first modern biography of Bolívar in English for young people, yet history provides few more exciting tales than the march across the Andes of Bolívar’s small but dauntless army; it can offer few stories to compare in color and surprise with Bolivar’s courageous career.

Nina Brown Baker tells Bolívar’s story fully and vividly. She has not only so portrayed the ideals of the man that we are the better for knowing him, but she has also given us the background that enables us to understand both Bolívar and the South America of today.

More from the New York Times, New Books for Younger Readers, March 15, 1942.

By Ellen Lewis Buell. HE WOULDN’T BE KING. The Story Of Simon Bolivar. By Nina Brown Baker. Illustrated by Camilo Egas. 306 pages. New York: The Vanguard Press.

SIMÓN BOLÍVAR was a hero not merely through force of circumstances and period. He was truly cast in a heroic mold and should be known wherever greatness of spirit as well as deed is revered. His life is of special significance to us of the United States, not only be­cause of our growing sympathy with South America, but because it was from our own Revolution and our first leader, Washing­ton, that he drew much of the in­spiration to win freedom for his own part of the Americas.

It was a life so full and so dra­matic that there is plenty of room for both the fine biogra­phies for young people which this year has brought forth. It would indeed be difficult, and is unnec­essary. to make a final choice be­tween Elizabeth Waugh’s “Simón Bolivar: A Story of Courage,” previously reviewed in this department and Nina Brown Baker’s “He Wouldn’t Be King,” which has won the 1941 Intra-American Award annually pre­sented by the Society for the Americas. Mrs. Baker’s is per­haps more dramatic in its pres­entation of an essentially dra­matic life, and certainly there is a twinkling humor to throw into perspective some of the lighter aspects of a career and a strug­gle which inevitably took on at times a certain comic opera fla­vor, which really emphasizes the size of the task performed.

This would be good reading if only for the sketches of the col­orful figures which surrounded Bolívar: the picturesque, incredi­ble Páez: the dashing and equally incredible Manuela Sáenz, his eccentric tutor, Rodriguez; the loyal and charming Irishmen who fought under him. A host of such friends, and enemies too. come to life, but all these are properly dominated by the Liber­ator himself, and as the pattern of his life is unfolded in a finely proportioned narrative so is the greatness of his vision and of his achievement.

From a reviewer on Amazon:

“He Wouldn’t be King: The Story of Simon Bolivar,” by Nina Brown Baker is a delightful, very easy to read book that should be required reading in every American High School. Certainly, every High School student across the United States is well aware of the importance of George Washington but what about Simon Bolivar? Or Jose de San Martin for that matter? These men are great Western Hemisphere military generals responsible for freeing most of South America from strict colonial rule?

Bolivar, often affectionately called the Liberator, freed Colombia, Venezuela, Ecuador, Peru and Bolivia from Spanish oppression. San Martin freed Argentina and Chile. To this end, Bolivar had a boyish hero worship of Washington and regularly drew inspiration from the North American revolution. An added bonus of this book is that the author does an excellent job describing Bolivar’s critical relationships with other dynamic Generals, particularly Antonio Jose de Sucre, Francisco de Paula Santander and Jose Antonio Paez. The narrative also documents the enormous importance of British and Irish volunteers who joined Bolivar and the struggle against Spanish rule.

The narrative starts with Bolivar’s privileged childhood, his intellectual growth and finally his decision to lead his people to liberty. Bolivar is a great man, who frees the black man from slavery 46 years before Abraham Lincoln’s 1862 Emancipation Proclamation. He also refused to be King and chose instead to be his nation’s first President…like he beloved George Washington.

Baker downplays his many romances and the tuberculosis that eventually killed him. Nevertheless, the text is meticulously researched, well-written and objective. Although this book was published in 1941, it is still very relevant today and would be an excellent choice for a High School history book report or detailed term paper. The text is also complete with many beautiful black and white illustrations. Highly recommended.
Bert Ruiz

Showing a woman leading children up a hill

Mary McLeod Bethune

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This is the challenging and inspired true story of a little girl who was determined to learn to read, and who went on to be a teacher, the founder of a college, an adviser to statesmen, and a great humanitarian. Mary McLeod Bethune was the fifteenth child of hardworking and god fearing parents. She was the first of their children to be born free. Her ancestry was wholly of African origin, a point of pride throughout her life.

Mrs. Bethune worked untiringly to restore—through education—her people’s faith in the magnificent heritage that is rightfully theirs. During the many years of and tribulation, she refused to give up her fondest dream—her own school for Negro children. And, as a shining monument to her hard work and faith, she has given to black youth the thriving institution of Bethune-Cookman College in Daytona Beach, Florida.

Marshall Standing and Speaking

Thurgood Marshall: From His Early Years to Brown by Michael D. Davis and Hunter R. Clark

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Editorial reviews:

“Michael Davis and Hunter Clark have crafted a thoughtful, carefully researched and focused biography.” —USA Today

“Well-written, informative and lively.” —People

“Michael D. Davis and Hunter R. Clark offer a masterfully written tale of an American legend.” — Gannett News Service

“Filled with the same fire, passion and humor that drove Marshall’s life, Thurgood Marshall is a revealing portrait of a pioneering lawyer.” —National Black Review

This ebook edition is the first half of the 1992 print edition of “Thurgood Marshall: Warrior at the Bar, Rebel on the Bench.” This new edition covers Thurgood Marshall’s youth, education, and the legal strategies he used, and the cases he argued leading up to the Brown v. Board of Education decision. The reviews above are from the print edition.

Publisher’s Note:
Chapter 1 describes Thurgood Marshall’s place in history.
Chapter 2 explains the challenges Marshall and the attorneys of the N.A.A.C.P were to face as they built the precedents that led to the Brown decision.
Chapter 3 is about Marshall’s childhood in Jim Crow Baltimore, and is probably the best starting point for high school students who want to begin with a straight-forward story of the life of a courageous leader. This chapter lends itself to writing assignments such as “Compare your public school years to what Thurgood Marshall experienced in Baltimore.” Not only will students have to read the chapter to complete the writing assignment, but there will be space for their own voices in the assignment. They may find this comparison more interesting than a book report.
Chapter 4 describes his years in Howard University Law School, and the work of his mentor, Charles Hamilton Houston, who saw how the law school and its graduates could fight racial injustice.
Subsequent chapters describe the work Marshall did on the cases leading up to the Brown decision, his civil rights work in the South, and his push for fair treatment of Black G.I.s during the Korean War.

Photo of Thurgood Marshall in his 60's

Thurgood Marshall: His Triumph in Brown, His Years on the Supreme Court

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Editorial Reviews:

“Michael Davis and Hunter Clark have crafted a thoughtful, carefully researched and focused biography.” —USA Today

“I highly recommend Thurgood Marshall by Mike Davis and Hunter Clark. This impressive book captures the sweeping drama and courageous struggles that have filled Thurgood Marshall’s life and career. The story of Justice Marshall is that of one of the greatest Americans in the twentieth century. Davis and Clark provide a compelling portrait of Marshall’s immense humanity and integrity in this fine biography.” —Congressman John Lewis of Atlanta.

“Thurgood Marshall is a giant of a man at a time when giants are scarce and desperately needed. This wonderful biography takes his measure.” —(Rev.) Theodore M. Hesburgh, C.S.C., President Emeritus, University of Notre Dame

“Davis and Clark have given us an engagingly written and conscientiously researched biography of a twentieth-century icon. It should be widely read and much discussed by all who care about the large, principled issues Justice Marshall’s life embodies.” —David Levering Lewis, author of W. E. B. Dubois: Biography of a Race

“Michael B. Davis and Hunter R. Clark have written an interesting and informative biography of Supreme Court Justice Thurgood Marshall directed toward a general audience. The current work, with its fluid, readable style, reflects the authors’ backgrounds in the popular press, where both have published extensively.”—Mississippi Quarterly

This ebook edition is the second half of the 1992 print edition. This new edition covers Thurgood Marshall’s victory in Brown, the resistance to the Brown decision, and his years on the Supreme Court. The reviews above are from the print edition of 1992 titled, Thurgood Marshall:Warrior at the Bar, Rebel on the Bench.

 

Sea and Earth: The Life of Rachel Carson

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This is the story of the most important science writer of the 20th century. With “Silent Spring” Rachel Carson shocked Americans into reevaluating the man-made chemicals that have polluted our whole environment. Carson “jolted the entire country into awareness of the problem” of pesticides.” Her book “launched the environmental movement; provoked the passage of the Clean Air Act…the Clean Water Act…and led to the establishment of the Environmental Protection Agency.”

By drawing much of his story from the recollections of Rachel Carson’s friends and colleagues, the author presents a well-rounded portrait of a woman who was a dedicated scientist and gifted writer, a devoted daughter and friend, and above all, a determined defender of the natural world she understood so well.

This biography won the Christopher Award in 1971 which is presented to the producers, directors, and writers of books, motion pictures and television specials that “affirm the highest values of the human spirit”. It is given by The Christophers, a Christian organization founded in 1945 by the Maryknoll priest James Keller.

My Art, My Life, An Autobiography by Diego Rivera

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Diego Rivera stands among the titans of our century. A man of phenomenal energy, he not only transformed the art of his country, but helped to transform its social structure as well. In the course of his tempestuous career, he defied presidents, dictators, millionaires, and the arbiters of artistic fashion. Often forced into hiding or exile during his lifetime, he is now enshrined in the pantheon of his country. His activities brought him into personal relationships not only with the artistic and political leaders of Mexico but with the famous and powerful abroad.
Rivera revolutionized modern mural painting and was the principal figure in launching the “Mexican Renaissance,” which is now regarded as one of the great periods in the history of world art.
This was an artist who could not separate his work — always his chief devotion — from his life. Like the man himself, his autobiography is full of conflict and color: the battles which surrounded his murals in the Detroit Art Institute, Rockefeller Center, and the Hotel del Prado are recounted in detail and with fervor.
The absorbing story of this epochal man, drawn from his own words as dictated over a period of ten years to the American journalist, Gladys March, makes a book that is certain to become one of the classics of art literature. With a quality all its own, it contains something of the frankness of Benvenuto Cellini, the impassioned suffering of Van Gogh, and the social vision of Kathe Kollwitz. Illustrated with personal photographs as well as some of Diego Rivera’s greatest works, My Art, My Life will rank among the most important books of recent years.
GLADYS MARCH studied art at the Museum of Modern Art, the Metropolitan Museum of Art, the Frick Museum in New York, the Pitti Palace in Florence. the Louvre in Paris, and the Prado in Madrid. She has written columns and features on kings, movie stars, and celebrities from all walks of life. But until she met Diego Rivera in 1945, on a newspaper assignment to interview him, she had never felt the desire to write a hook about any one person. The initial interview led to a ten-year project, during which years the artist dictated his life story to her. Mrs. March’s work was checked by Diego Rivera from time to time up to a few months before his death in 1957. The finished manuscript was read and approved by Emma Hurtado Rivera, the artist’s widow.

Peace and Bread in Time of War by Jane Addams

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First published in 1922 during the “Red Scare,” by which time Jane Addams’s pacifist efforts had adversely affected her popularity as an author and social reformer, Peace and Bread in Time of War is Addams’s eighth book and the third to deal with her thoughts on pacifism.

Addams’s unyielding pacifism during the Great War drew criticism from politicians and patriots who deemed her the “most dangerous woman in America.” Even those who had embraced her ideals of social reform condemned her outspoken opposition to U.S. entry into World War I or were ambivalent about her peace platforms. Turning away from the details of the war itself, Addams relies on memory and introspection in this autobiographical portrayal of efforts to secure peace during the Great War. “I found myself so increasingly reluctant to interpret the motives of other people that at length I confined all analysis of motives to my own,” she writes. Using the narrative technique she described in The Long Road of Women’s Memory, an extended musing on the roles of memory and myth in women’s lives, Addams also recalls attacks by the press and defends her political ideals.
Source: Goodreads.

cover of Helmet for My Pillow with 7.4 Grade Level

Helmet for My Pillow: From Parris Island to the Pacific by Robert Leckie (Free Copies)

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Editorial Reviews

The New York Times, September, 1957.

“…This is an old story, but it is told in a fresh and lovely voice. Robert Leckie writes with charm, with personal humility, with humor, with a rare gift for capturing all that is human in the most inhuman of man’s activities.

He makes no bones about it—the war is what happened to him. The point of view is not the grand strategy of victory, but the immediate tactic of personal survival. By turns a boot, a machine gunner on Guadalcanal, a liberty hound in Australia, an intelligence scout on Peleliu—briefly a self-styled “brig rat” subsisting on bread and water and finally a casualty —Private Leckie fought the enlisted man’s battle.
By David Dempsey

 

From the Marine Corps Association and Foundation

Revisiting a Pacific War Classic by Lt. Col. Michael Grice

Robert Leckie’s “Helmet for My Pillow” has been my single favorite military book for over 30 years. Written from the perspective of a young participant in the great endeavor that was World War II, it is a soulful, wrenching, humorous, and insightful account of one youth’s journey into manhood via the Pacific campaigns spearheaded by the 1st Marine Division.

I first read it as a junior high school student in 1980, and I have reread it nearly every year since. It has framed my perspectives of the Marine Corps, of leadership, of enlisted service, of officers, and of combat as I have aged, matured, and risen through the ranks. Leckie doesn’t provide a technical, historical account consisting of units, maps, and strategy, but instead provides a humanistic view of the Marine Corps at war from the perspective of an often-bewildered observer caught up in the whirlwind of events.

Beginning with his rush to service after the attack on Pearl Harbor, Leckie brings the reader along as a fellow traveler on his journey to war. He presents his story through a framework of symbolism, simile, and metaphor; almost no character is identified by actual name but instead by title or attribute that the author chooses to best typify them. Generally warm to his peers (to whom have been bestowed titles such as “Hoosier,” “Chuckler,” and “Runner,” all so called because of their origins, habits, or claims to fame), he is critical of his seniors, most notably his officers. “Commando,” for example, was what we would consider an exceptionally motivated officer in the modern sense, but his Marines viewed him with suspicion and occasional terror as he attempted to utilize urban combat techniques in the dank jungles of the Pacific. “Commando sits on his brains,” says Leckie and his mates; they recognize that he is incredibly brave, but such bravery is not the only quality that a leader needs to possess in order to inspire men. He writes of officers who only venture into the lines when they hear that Leckie has somehow obtained a box of cigars; true to his status as a carefree private he ensures that they receive none.

Leckie is not uncomplimentary to all of his leaders, however, as he admiringly terms one of his lieutenants “Spearmint” because he has the lowly affectation for chewing gum. Spearmint they follow out of respect and admiration; Commando they follow because they are Marines, and Marines follow orders. The juxtaposition of leadership types and styles from the perspective of an articulate young private is an object lesson that all Marine leaders should heed, and there is no finer case study than Helmet for My Pillow.

The book should not be read only for the study in leadership, but also from the perspective of a Marine engaged in a seemingly endless conflict. Leckie speaks of timeless war where rumors of returning home rise and fall with the completion of each assault. He chronicles the chaotic creation of a newly formed division as it prepares to fight; the murderous landings and campaigns in Guadalcanal, New Britain, and Peleliu; and the adventures and misadventures of liberty in Australia.

His writing style is not the staccato regurgitation of battle lines, company positions, and enemy orders of battle, but instead it is the wrenching and visceral viewpoint of a machinegunner in a dank and slimy pit who waits in the dark for the yellow peril to blot him savagely from existence. He writes of idly watching crocodiles feast on the Japanese dead in the Tenaru River, most notably one he names “Chowhound” because the dead soldier floats in a soup of rice ripped free from his haversack when the amphibious animals savage his body. He speaks easily of the petrifying terror felt by them all when the banzai charges came, and of the following relief when the attacks are repulsed and the field of battle is thick with the corpses of slain Japanese soldiers. He writes much as Norman Mailer did in The Naked and the Dead; his story is about the military experience but is not intended to be a military book. He writes of life and love and, most intensely, of fear:

I had not looked into its foliage before the darkness and now I fancied it infested with Japanese. Everything and all the world became my enemy, and soon my very body betrayed me and became my foe . . . . I lay quivering, in that rotten hole while the darkness gathered and all creation conspired for my heart. How long? I lay for an eternity. There was no time. Time had disintegrated in that black void. There was only emptiness, and that is something; there was only being: there was only consciousness. Like the light that comes up suddenly in a darkened theatre, daylight came quickly. Dawn came, and so myself came back to myself. I could see the pale outlines of my comrades to right and left, and I marveled to see how tame my tree could be, how unforbidding could be its branches.

I know now why men light fires.

Marines of all ranks and ages should read Leckie’s memoir. It contains lessons that pertain to us all—lessons about combat, lessons about life and, most importantly, lessons about leadership. Leckie, who managed to reach the rank of private first class on several occasions, rose from bread and water in a transport’s brig to being decorated for valor while fighting the Japanese. His observations on his lot in life, his friends, and his leaders are not so dissimilar from those being made today in places like Marjeh in the Helmand Province of Afghanistan. I have read his work dozens of times and will reread it many times more. I learn a little more each time I read it, and it is so well written that I look forward to reading it again.

Reprinted with permission of Lt. Colonel Michael Grice.

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