Marines on River

Helmet for My Pillow: From Parris Island to the Pacific

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Editorial Reviews

The New York Times, September, 1957.

“…This is an old story, but it is told in a fresh and lovely voice. Robert Leckie writes with charm, with personal humility, with humor, with a rare gift for capturing all that is human in the most inhuman of man’s activities.

He makes no bones about it—the war is what happened to him. The point of view is not the grand strategy of victory, but the immediate tactic of personal survival. By turns a boot, a machine gunner on Guadalcanal, a liberty hound in Australia, an intelligence scout on Peleliu—briefly a self-styled “brig rat” subsisting on bread and water and finally a casualty —Private Leckie fought the enlisted man’s battle.
By David Dempsey

 

From the Marine Corps Association and Foundation

Revisiting a Pacific War Classic by Lt. Col. Michael Grice

Robert Leckie’s “Helmet for My Pillow” has been my single favorite military book for over 30 years. Written from the perspective of a young participant in the great endeavor that was World War II, it is a soulful, wrenching, humorous, and insightful account of one youth’s journey into manhood via the Pacific campaigns spearheaded by the 1st Marine Division.

I first read it as a junior high school student in 1980, and I have reread it nearly every year since. It has framed my perspectives of the Marine Corps, of leadership, of enlisted service, of officers, and of combat as I have aged, matured, and risen through the ranks. Leckie doesn’t provide a technical, historical account consisting of units, maps, and strategy, but instead provides a humanistic view of the Marine Corps at war from the perspective of an often-bewildered observer caught up in the whirlwind of events.

Beginning with his rush to service after the attack on Pearl Harbor, Leckie brings the reader along as a fellow traveler on his journey to war. He presents his story through a framework of symbolism, simile, and metaphor; almost no character is identified by actual name but instead by title or attribute that the author chooses to best typify them. Generally warm to his peers (to whom have been bestowed titles such as “Hoosier,” “Chuckler,” and “Runner,” all so called because of their origins, habits, or claims to fame), he is critical of his seniors, most notably his officers. “Commando,” for example, was what we would consider an exceptionally motivated officer in the modern sense, but his Marines viewed him with suspicion and occasional terror as he attempted to utilize urban combat techniques in the dank jungles of the Pacific. “Commando sits on his brains,” says Leckie and his mates; they recognize that he is incredibly brave, but such bravery is not the only quality that a leader needs to possess in order to inspire men. He writes of officers who only venture into the lines when they hear that Leckie has somehow obtained a box of cigars; true to his status as a carefree private he ensures that they receive none.

Leckie is not uncomplimentary to all of his leaders, however, as he admiringly terms one of his lieutenants “Spearmint” because he has the lowly affectation for chewing gum. Spearmint they follow out of respect and admiration; Commando they follow because they are Marines, and Marines follow orders. The juxtaposition of leadership types and styles from the perspective of an articulate young private is an object lesson that all Marine leaders should heed, and there is no finer case study than Helmet for My Pillow.

The book should not be read only for the study in leadership, but also from the perspective of a Marine engaged in a seemingly endless conflict. Leckie speaks of timeless war where rumors of returning home rise and fall with the completion of each assault. He chronicles the chaotic creation of a newly formed division as it prepares to fight; the murderous landings and campaigns in Guadalcanal, New Britain, and Peleliu; and the adventures and misadventures of liberty in Australia.

His writing style is not the staccato regurgitation of battle lines, company positions, and enemy orders of battle, but instead it is the wrenching and visceral viewpoint of a machinegunner in a dank and slimy pit who waits in the dark for the yellow peril to blot him savagely from existence. He writes of idly watching crocodiles feast on the Japanese dead in the Tenaru River, most notably one he names “Chowhound” because the dead soldier floats in a soup of rice ripped free from his haversack when the amphibious animals savage his body. He speaks easily of the petrifying terror felt by them all when the banzai charges came, and of the following relief when the attacks are repulsed and the field of battle is thick with the corpses of slain Japanese soldiers. He writes much as Norman Mailer did in The Naked and the Dead; his story is about the military experience but is not intended to be a military book. He writes of life and love and, most intensely, of fear:

I had not looked into its foliage before the darkness and now I fancied it infested with Japanese. Everything and all the world became my enemy, and soon my very body betrayed me and became my foe . . . . I lay quivering, in that rotten hole while the darkness gathered and all creation conspired for my heart. How long? I lay for an eternity. There was no time. Time had disintegrated in that black void. There was only emptiness, and that is something; there was only being: there was only consciousness. Like the light that comes up suddenly in a darkened theatre, daylight came quickly. Dawn came, and so myself came back to myself. I could see the pale outlines of my comrades to right and left, and I marveled to see how tame my tree could be, how unforbidding could be its branches.

I know now why men light fires.

Marines of all ranks and ages should read Leckie’s memoir. It contains lessons that pertain to us all—lessons about combat, lessons about life and, most importantly, lessons about leadership. Leckie, who managed to reach the rank of private first class on several occasions, rose from bread and water in a transport’s brig to being decorated for valor while fighting the Japanese. His observations on his lot in life, his friends, and his leaders are not so dissimilar from those being made today in places like Marjeh in the Helmand Province of Afghanistan. I have read his work dozens of times and will reread it many times more. I learn a little more each time I read it, and it is so well written that I look forward to reading it again.

Reprinted with permission of Lt. Colonel Michael Grice.

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Cover showing a bombed out bridge

Dear Fatherland, Rest Quietly by Margaret Bourke-White

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An excerpt from The New York Times review, December 4, 1946 by Orville Prescott.

“Miss Bourke-White is one of the most distinguished of American photographers. Before the war she was a specialist in pictures of industry. During the war as a photographer for Life she took many of the best frontline pictures which appeared in that magazine, in Russia, in Italy and in France and Germany. She traveled by jeep, by plane and on foot wherever reporters were allowed to go, which often meant where shells were exploding and bullets flying. But she did not just take pictures. Miss Bourke-White is a good reporter as well as a photographer. She talked with all manner of men and with resourceful enterprise sought out representative and significant men. The present volume includes 128 of her excellent pictures of Germany in defeat, in addition to Miss Bourke-White’s report on her investigations….

Few Uninfected With Nazism

“….Miss Bourke-White talked with hundreds of Germans. Among them she found a few, a pitiful few, who had not succumbed to the Nazi infection. Most of therm, did not admit or realize that there was any infection. They did not admit that Hitler was evil, that Germany had started the war, that they were aware of the torture and death camps, that they in any way shared responsibility for their government’s and their nation’s crimes. Many of them expected the Allies to finance Germany’s recovery, to be responsible for German employment.

“In Bremen Miss Bourke-White found an old friend, a German girl who had graduated from the Columbia School of Journalism. “Here will be somebody I can talk to,” she thought. But the intelligent, American-educated girl turned out to be an ardent defender of Nazism and all its works. “We have believed in the party principles for centuries,” she said. “Adolf Hitler never knowingly told a lie.”
More disturbing, because of their greater power and influence and because of the respectful deference with which the Allies treated some of them, were the great industrial lords of the Ruhr. Miss Bourke-White talked with many of them, the men who had made Hitler’s war machine possible and who had profited mightily in the process. And they were all just innocent business men uninterested in politics, worthy citizens who expected to continue to run their peaceable enterprises! If they are allowed to, and if the Allies do not foster a genuine democracy in Germany, the third World War will come sooner than we expect it. That is the underlying theme of ‘Dear Fatherland, Rest Quietly.’ “

Road to Huertgen Forest, Forest in Hell by Paul Boesch

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From Goodreads

“It’s hell,” he said flatly. “Pure unadulterated hell. That’s the only word for it. It’s hell.”

The Battle of Huertgen Forest was one of the bloodiest engagements of the Second World War.

Fought between American and German forces between 19th September to 16th December it was the longest single battle the U.S. Army has ever fought.

During those three months six American Infantry Divisions — the 1st, 4th, 8th, 9th, 28th and 83rd — and part of the 5th Armored Division fought against the battle-hardened Germans.

Lt. Paul Boesch provides an eyewitness account of the horrors that he and his men saw as they struggled through the rain and mud, avoiding artillery, mortars and mines.

This book is a remarkable account of one of the most vicious battles in World War Two told honestly by a man who was there.

“A true but little-told account of what it means to be an Infantryman.” Major General William G. Weaver.

 

Slightly Out of Focus by Robert Capa

“Charming and profound, Slightly Out of Focus is a marvelous memoir told in words and superb pictures. He just maybe the greatest battlefield photographer to grace the earth.”

The epub format below is for your Apple and Android devices including Send-to-Kindle.

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From Goodreads

“The story Capa sets down is so worthwhile and revealing, with some stunning photographs littered throughout the book. It jumps straight into his World War II coverage with slight reference to his earlier work that opened the door for the chance to cover the war in Europe. Included is a detailed text of his time between 1942 and 1945 in places like France, Italy and Algeria. He experienced some of the most trying conditions imaginable, yet his compassion and wit shine on every page of this book. While rarely referred to directly in the text, the photographs give a good understanding of the work Capa was doing in the circumstances he describes. Included is his account of the famous D-Day landing, and four of the eight frames that survived the well-known darkroom accident where his negatives were overheated in a London film dryer. There is nothing quite like reading what the personality had to say in telling the story of his or her life. This is a fine starting point in understanding one of photojournalism’s true masters. Charming and profound, Slightly Out of Focus is a marvelous memoir told in words and superb pictures. He just maybe the greatest battlefield photographer to grace the earth.”

Another reviewer:

“Fast paced WW2 memoir of one of the great photographers. The tone is very different from similar books from the Iraq war like Generation Kill or The Forever War. This is has more of a jet set vibe as Capa hops planes to get to the front, take war photos, and then retreat back to hang out with Hemmingway or Ernie Pyle. Its certainly a different perspective from books like To Hell and Back or With the Old Breed.”

Photo of 6 Female Journalists

No Woman’s World by Iris Carpenter

From The Wall Street Journal, December 17, 2021. Five Best: Woman Writing about World War II.

More than 200 female journalists were accredited to the Allied forces by the end of World War II, but it wasn’t until the final months of the war that a select few were allowed to report from the front. Writers like Iris Carpenter had found their own illicit ways to the fighting, but did so at their own peril. “No Woman’s World” is a coruscating indictment of the system against which they had to battle.

Nonetheless, it covers the struggle impressively, from the Battle of Britain on through V-E Day. The power of the book derives less from its coverage of battles than its unsentimental honesty. Carpenter records her own confused emotions on first entering Germany and having to decide how to view ordinary German citizens—as suffering victims, or the enemy, or both?

She is no less forthright in her descriptions of the American soldiers with whom she traveled—many of them poignantly young and courageous but also brutalized by years at war. Her bluntness make this memoir a riveting read.

 

From Time, Monday, Sept. 09, 1946.

When U.S. trucks and tanks hit Omaha Beach, says Iris Carpenter, drivers “cried and vomited” as they crunched over the bodies of G.I.s fallen in the first infantry waves. It was sickening and terrible, but the beachhead held firm.

Blonde, British-born Iris Carpenter, thirtyish, BBC commentator and war correspondent (London Daily Herald, Boston Globe), says that she held firm, too. Although ready to grant from the start that it was no woman’s world, she thought a “newspaper girl” had as much right to report what was happening as anyone else. Correspondent Carpenter stayed until V-E day and beyond, ended up with a new feeling of authority on military strategy, a shattered eardrum (enemy bombing) and a fiancé: Colonel Russell F. Akers Jr. of the U.S. First Army staff.

Much of No Woman’s World reads about as a woman’s war report might be expected to read: human-interest stories, hard-boiled anecdotes, Perils-of-Pauline asides. In field hospitals Correspondent Carpenter saw “the hideous mess which high-explosive makes of human flesh.” In newly liberated Paris she lived on “K rations, cognac and champagne.” On the Rhine she rushed over the newly captured Remagen Bridge while MPs shouted, “Keep ten paces between you and the next guy—it’s hot around here.”

Correspondent Carpenter also includes a critical tactical narrative of the fighting from D-day to the end. Having had access (she does not say through whom, but it is a fair guess) to First Army staff documents, she notes that First Army G-2 had the “first inkling” of Rundstedt’s Ardennes offensive weeks before it began, but that Bradley’s Twelfth Army group did not act on the information. Her conclusion: it was closer to “complete catastrophe . . . than any Allied commander would ever care to admit.”

 

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cover showing a Japanese prison guard

Give Us This Day by Sidney Stewart

“Unforgettable”—The New York Times

“I have read scores of books that came out of World War II, but I have read none that took such a tremendous grip on my emotions, nor one that evoked so strikingly the horror of war…This is more than a book, finely written as it is—it is a living experience.”  —Chicago Tribune

“Probably several million words have been written about the Bataan Death March, but no matter how many all have now been superseded by this splenlid book. If the men of that march needed a monument other than their own heroism they have it now in GIVE US THIS DAY. —Omaha World Herald

 

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Book Cover of Last Enemy

The Last Enemy by Richard Hillary

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The classic memoir that explodes the myth of the romance of war.

Young Richard Hillary, a Spitfire pilot in the RAF, thought that flying one-on-one against Hitler’s “roster of rogues” the Luftwaffe, would be exciting, gallant, and heroic.

However, when he is shot down, horribly burned and disfigured in the Battle of Britain, he faces a different battle in which he must confront the toughest enemy of all—himself—and learn true courage and heroism.

“Hillary takes us into the clouds of his flight-and into the depths of his suffering.”—Publishers Weekly
“FEW BOOKS ARE WRITTEN SO WELL OR PACK SUCH AN EMOTIONAL WALLOP.—UPI

More Editorial Reviews

“A small masterpiece” —The New York Times

“A classic of air warfare” —Washington Post

“Admirable skill … A real writer.” —J. B. Priestly

“A war book that is destined to live … It will, I think, become a Classic.”
—from a BBC broadcast by Sir Desmond MacCarthy

“A haunting memoir of wartime courage”—Philadelphia Inquirer

“THE LAST ENEMY has been a classic in England since its publication. It deserves the same status here.” —Tulsa World

“A philosophical treatise on war which ranks with the
best.” —Montgomery Journal-Advertiser

Cover with captured U-505

U-505 by Daniel V. Gallery

Epub or Mobi?

The epub format below is for your Apple and Android devices and in one case for Amazon devices. As you may know, Amazon has changed to the epub format to use with the Send to Kindle program. A great feature of the Send to Kindle program is that the file will go directly to your Library folder, and not have to be searched for in ES File Explorer or another app. If you use the mobi format in Send to Kindle, you will now get an error message. You can see instructions about Send to Kindle at https://www.amazon.com/gp/sendtokindle/email.

So if you are using this ebook on Apple, or Android devices, or in the Send to Kindle program, you can download this epub file below.

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Reviews

Admiral Daniel V. Gallery boarded and captured a German U-Boat at sea in June, 1944—the first American officer to so capture an enemy warship since 1815! U-505 is Admiral Gallery’s own story of his extraordinary feat—and also a gripping narrative of the fierce Allied war against the German U-Boat fleet.

“Excellent in several ways: it provides a fine quick survey of the whole Atlantic war, it describes the operation of the German U-boat service, and, most dramatically, it tells how an American task force under Admiral Gallery achieved the unique feat of capturing a German submarine.”—Publishers’ Weekly

“One of the best non-fiction books about World War II.”—Raleigh News & Observer

“U-505 IS ONE OF THE WAR’S MOST EXCITING MEMOIRS.”—Chicago Daily News

“A first-rate adventure tale…suspense and excitement told with a seaman’s salty zest…excellent reading.”—Chicago Sunday Tribune

“A humdinger of a sea story…a highly readable book, trimmed from stem to stern with the writer’s irrepressible sense of humor.”—Chicago Sunday Times

“EXCELLENT.”—Chicago Tribune

“Brimming with thrills.”—Philadelphia News

“An engrossing tale…Pungent, entertaining, informative.”—Navy Times

“A masterful job that merits the attention of every lover of sea stories.”—Pittsburgh Press

 

Cover with Soldier with Rifle

The Road to Stalingrad by Benno Zieser

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On the last day of January, 1943, the German Sixth Army surrendered to the Russians at Stalingrad. After a winter cam­paign of unparalleled horror and hardship, the Wehrmacht was beaten.

THE ROAD TO STALINGRAD is a shattering eyewitness account of that lost battle-written by a survivor. Benno Zieser was drafted at the age of nineteen and fought in the infantry at Stalingrad, in this book he tells of his first naive enthusiasm—then the shocking realities:

The frozen wastes of an unconquerable continent . . . gutted roads strewn with abandoned equipment . . . the anonymous graves by the wayside . . . the colossal fraud behind Hitler’s promise of victory.

Not since ALL QUIET ON THE WESTERN FRONT has a German author written such a powerful indictment of war—but Benno Zieser’s book is fact, not fiction.

Cover of the Wounded Don't Cry

The Wounded Don’t Cry by Quentin Reynolds

The epub format below is for your Apple and Android devices including Send-to-Kindle.

As you may know, Amazon has changed to the epub format to use with the Send-to-Kindle program. A great feature of the Send-to-Kindle program is that the file will go directly to your Library folder, and not have to be searched for in ES File Explorer or another app. If you use the mobi format in Send-to-Kindle, you will now get an error message. You can see instructions about Send to Kindle at https://www.amazon.com/gp/sendtokindle/email.

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Download mobi file here.

An Excerpt from the New York Times Review of January 26, 1941:

“THE WOUNDED DON’T CRY” is one of the phrases in which an American journalist expresses his admiration for British spirit, and more specifically the spirit of London under fire. In the book to which he has given that symbolic title (and which he dedicates To my neighbors, the people of London”) Quentin Reynolds has made an excellent selection of representative word pictures, which show in one clear-cut detail after another what England is going through and how English courage, endurance and humor are meeting the present happenings of war. It is a journalist’s book from start to finish, a book of flashes, sharp, racy, significant: one of the very good books of its kind…

…But for all the brightness with which he says it, most of what his book has to say is serious stuff.

At an R. A. F. airdrome as the men go out and come back (the lad they call “Old Brownie” is just 23; on a trawler in Channel convoy; in an aircraft factory; with friends in their country home; on the streets, and in many pubs—this Is the England Quentin Reynolds knows…

…For the French soldiers and airmen, with whom he was first stationed, Mr. Reynolds has also words of glowing admiration. He has a report from neutral Ireland too. But the best of his book is in its pictures from England — unconquered, undiscouraged, still laughing, not even tired.

“A lot of us think England won the war at Dunkerque,” he says. But why Hitler allowed the country to catch its breath then, instead of invading when he could, will always be a mystery.